How the History of Translation should be written? Masterstvo perevoda. Sbornik statei. Moscow: Sovetskii pisatel', In Russ. Bailey, Nicholas A. Proper Names in the Bible: Translation Issues. December Bratcher, Robert G. July Chatzitheodorou, Ilias Problems of Bible Translation. Translation Journal. October Metzger, Bruce M.
Stuttgart: United Bible Societies. Metzger, Bruce, M. Persistent Problems Confronting Bible Translators. Bibliotheca Sacra July-September , Corruption and Restoration. New York. Oxford University Press. Nida, Eugene Toward a Science of Translating. Brill, Leiden.
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Prunch, Erich Entwicklungslinien der Translationswissenschaft. Von den Asymmetrien der Sprachen zu den Asymmetrien der Macht. Frank und Timme, Berlin. Grundlegung einer allgemeinen Translationstheorie. Linguistische Arbeiten Vicchio, Stephen, J. The Image of Biblical Job.
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Volume I. Eugene, Oregon. Wierzbizka, Anna. Emotions of Jesus. Russian Journal of Linguistics, 2, 1, Wierzbizka, Anna Shop by category. Format see all. Special Attributes see all. Dust Jacket.
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Russian Filter Applied. Genre see all. Publication Year see all. Type see all. Condition see all. Like New. Very Good. Please provide a valid price range. Buying format see all. All listings. Best Offer. Buy it now. Classified Ads. Item location see all. What I show is that both works represent subtle interventions in contemporary debates regarding the nature of Soviet vitality and timeliness. This paper takes an interdisciplinary approach to the study of identity and nationality in immigrants and, in particular, the intertwined issue of ethnicity and nationality as it is perceived and negotiated by Russian immigrants in the U.
One was solicited by the U. Federal Government and conducted during the decennial US census; another was part of a large empirical project on Russian immigration.
The combined findings from both studies contribute to a complex issue of identity negotiation in Russian immigrants. This article considers the significance of an often forgotten character, Kalganov, in The Brothers Karamazov.
It applies to this secondary character two theories of minorness, as outlined in the work of Eve Kosofsky Sedgwick and Alex Woloch. Throughout his career Dostoevsky worried that his novels included too many storylines, devoted too much time on secondary plots and secondary characters, and that their form suffered as a result. This article argues that, in The Brothers Karamazov , Dostoevsky uses the formal dilemma he himself faced can one compose an artistically coherent novel, while still respecting the human complexity of each and every character?
Or are some people simply impossible to live with?
First I focus my analysis on the lecherous, garrulous sponger and very minor character Maksimov. And just as the other characters never quite find a place for Maksimov in their lives, the chronicler never quite finds a place for Maksimov in his tale. As Alyosha learns firsthand, it is just as difficult to build a harmonious, all-inclusive, brotherly community, as it is to compose an all-inclusive narrative in this case, as speech , one that does not reduce or marginalize any of its characters, one that does not leave anyone out. By introducing into the ongoing scholarly discussion of this apparent textual anomaly previously inaccessible archival materials, I demonstrate that this evocation amounts to a complex, profoundly meaningful image.
In both tales, the act of storytelling becomes a literal and figurative means of surviving the threat of starvation, although what it means to survive in this manner will be called into question. In both stories, survival and literary composition are complex artistic endeavors that reimagine the alignment of art and immortality in the wake of the gulags.
We offer an objective empirical approach to the status of this verb, using statistical analysis of 2, attestations of byti in comparison with 9, attestations of other verbs. This makes it possible to accurately locate byti in the context of the verbal lexicon of Old Church Slavonic. This comparison is undertaken in two rounds, one assuming that byti is a single verb, and the other assuming that it is a pair of verbs. Both assumptions yield reasonable results, and although the grammatical profile analyses do not suffice to solve the controversy, they lay the groundwork for further analysis in Part Two that argues for a single-verb interpretation of byti.
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We analyze corpus data on the distribution of constructions in order to assess the status of this verb as either a single verb or an aspectual pair of verbs. Our study moves beyond a strict structuralist interpretation of the behavior of byti , instead recognizing the real variation and ambiguity in the data. Our findings make both theoretical and descriptive advances. The radial category structure is a central tenet of cognitive linguistics, but until now such structures have usually been posited by researchers based on their qualitative insights from data.
We show that it is possible to identify both the nodes and the structure of a radial category statistically, using only linguistic data as input. We provide an enhanced description of byti that clearly distinguishes between core uses and those that are more peripheral and shows the relationships among them. While we find some evidence in support of an aspectual pair, most evidence points instead toward a single verb.in.archicredit.ru/js/2014/1384.html
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Hryhory Kvitka-Osnovianenko — is commonly regarded as a pioneer in Ukrainian literary history: he was the first to write fictional prose in vernacular Ukrainian and to create dignified, rather than comic, peasant characters. This article considers exemplary texts, both Ukrainian and Russian, from the corpus of his fiction in order to enquire into one aspect of the rhetoric of these works: the way in which they imagine, address and seek to change their audience. The significant novelty of Kvitka-Osnovianenko lies in his evocation of this crypto-national audience.
This article addresses both long-overdue and latest topics in Voloshin studies and the history of Russian literary response to the Revolution during the civil war from the perspectives of post-Soviet literary criticism. The short film provides an exemplary illustration of the crystal-image. Most importantly, however, the concept helps to reveal critical aspects of Steamroller and Violin that have passed largely unnoticed in the five decades since it was made.
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Using a database of more than 1, u -verbs collected from various sources, this article examines how the two spatial schemas of u -, the ENTRY and the MOVE AWAY schema, relate to each other and how the concrete spatial meanings that these two schemas generate affect abstract meanings of the prefix. The analysis develops a semantic network of u -verbs based on the database showing that the two schemas underlie the semantic profile of all the u -verbs: both those with and those without any apparent spatial motivation.
Furthermore, the analysis demonstrates that the two seemingly contrasting schemas show not only differences, but also similarities. Moreover, these schemas blend at the constructional level.